In 1979 the Vienna-based Canadian artist Robert Adrian started using the I.P. Sharp telecommunicatiins network for art purposes. Access to this network had been organized by Bill Bartlett in the context of an event called Interplay. Bartlett had gained access to the network of the company I.P. Sharp Associates for the first time in 1978 through the Toronto based artist Norman White (cf. Shanken 2003. p. 61). In 1980 Bartlett organized he Artist's Use of Telecommunication conference at SF MOMA.
In this chapter, a closer look at developments in Barcelona is taken, where community networkers and computer scientists working in the CONFINE project are creating cutting edge technologies. This chapter also asks the difficult question, how the mystifications of technology might be overcome. Are better mesh routing protocols really the answer to all problems?
This chapter throws a closer look at the different models used economically by Freifunk and Guifi. In particular, it investigates in which ways the fact that Guifi has a mixed political economy contributed to its growth. This sub-chapter also investigates the terms in which network freedom is defined and with which other ideas and measures it is connected.
The previous chapter has delved into some of the bigger implications of free networks in relation to the overal historic development, the emergence of network society and its regulatory crisis. This sub-chapter engages more closely with the various free network initiatives and asks the question, what makes a network sustainable, or successful, or not. The upgraded chapter contemplates over the reasons for the success of Guifi and Freifunk.With more interview excerpts from Ramon Roca who explains his vision of the network commons.
In Vienna, slowly the – still relatively new - director of Kunsthalle is showing his profile. After many years under the populist autocrat Matt, Nicolas Schaffhausen brings some well needed profundity to Kunsthalle. This latest exhibition, The Future of Memory, while well conceived, exposes also the dilemmas of hegemonic neo-conceptualism, which I call the contemporary.
recently I had the opportunity to visit Cuba as a tourist. I would like to use this opportunity to send you a letter. I really do not want to be seen lecturing two great leaders such as you, by offering my unasked advice, but my suggestions are simple and constructive as you will see, so please take the time to read this letter.
We are only just beginning, is the message I have picked up from the two biggest communities in Europe, from Guifi.net and from Freifunk. Since the publication of the first chapter and this one, Guifi.net has grown from app. 25.000 to 26.500 nodes. Similarly, the political implications of the free network movement have become more easily visible today. As Jürgen Neumann and Monic Meisel report, Freifunk has „unfortunately“ benefited massively from the Snowden allegations. Since it has become known how massive the surveillance machinery is, self-managed networks suddenly make much more sense again. While many things have been coming together to make Freifunk possible, one thing was less in their favor, the German legal climate. Freifunk finds itself at the center of a prolonged battle about Störerhaftung
The social technologies of the wireless community network are technologies specifically developed to support social goals, such as community networking. Typically, new technologes are developed by large firms or the state. The achievements of wireless community networks demonstrate that there is an alternative, community based innovations. This chapter presents the genealogy of some of the key technologies needed for wireless community networking and discusses their social content.
Filósofa y activista alemana Elektra Wagenrad realiza laboratorio de redes libres en Valparaíso
La filósofa del “no-pensamiento” está de visita en Valparaíso participando en el 2º Encuentro de Cultura Digital a través de la realización del Laboratorio de Redes Libres con el apoyo del Área de Nuevos Medios del Consejo Nacional de la Cultura y las Artes. El taller se realizará este lunes 24 de noviembre a las 12:00 horas en la Facultad de Ciencias Sociales de la Universidad de Valparaíso.