Bibliographies

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Buero d'etudes .  2006.  Electromagnetic Propaganda, The Statement of Industrial Dogma, in Waves 2006,. Acoustic Space. 6
Barlow W.  1995.  Black Music on Radio During the Jazz Age. African American Review. 29:325--328.
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Chang HC.  20070101.  Interpersonal communication at a turning point: An analysis of cultural change in Taiwan.. Journal of Asian Pacific Communication (09576851). 17 Abstract
Church GF.  1939.  Short Waves and Propaganda. The Public Opinion Quarterly. 3:209--222.
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Smith DD.  1970.  Some Effects of Radio Moscow's North American Broadcasts. The Public Opinion Quarterly. 34:539--551. Abstract
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Fernández M.  1999.  Postcolonial Media Theory. Art Journal. 58:59--73.
Foucault M.  1984.  Of Other Spaces (1967), Heterotopias. Architecture/Mouvement/Continuite.
Fellows EW.  1959.  'Propaganda:' History of a Word. American Speech. 34:182--189.
Feng PJ, Lazar J, Preece J.  Empathy and online interpersonal trust: A fragile relationship.. Behaviour \& Information Technology. 23 Abstract
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Graves HN Jr.  1941.  Propaganda by Short Wave: London Calling America. The Public Opinion Quarterly. 5:38--51. Abstract
Graves HN Jr.  1940.  Propaganda by Short Wave: Berlin Calling America. The Public Opinion Quarterly. 4:601--619. Abstract
Gruening E.  1931.  Power and Propaganda. The American Economic Review. 21:202--241.
Greville U.  1925.  Radio in Britain. The Musical Quarterly. 11:157--163.
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Henderson S, Gilding M.  20040801.  `I've never clicked this much with anyone in my life': trust and hyperpersonal communication in online friendships.. New Media \& Society. 6 Abstract
Haskins E.  2007.  Between Archive and Participation: Public Memory in a Digital Age. Rhetoric Society quarterly.. 37(4):401-422.
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Ivy JW.  1941.  The Wisdom of the Haitian Peasant: Or Some Haitian Proverbs Considered. The Journal of Negro History. 26:485--498.
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Kahn D.  1997.  John Cage: Silence and Silencing. The Musical Quarterly. 81:556--598.
Kahn D.  1996.  The Lyre's Island: Some Australian Music, Sound Art and Design. Leonardo Music Journal. 6:89--93.
Kahn D.  1996.  Three Receivers. TDR (1988-). 40:80--87.
Kutter W, D K.  1957.  Radio as the Destroyer, Collector and Restorer of Folk Music. Journal of the International Folk Music Council. 9:34--37.
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Laibman D.  2006.  Silvia Federici, Caliban and the Witch: Women, the Body, and Primitive Accumulation. SCIENCE AND SOCIETY -NEW YORK-. 70(4):576-579.
LaBelle B.  2006.  Phantom Music: radio, memory, and narratives from auditory life. ORGANISED SOUND. 11(1):19-26.
Loza S.  2001.  Sampling (Hetero)Sexuality: Diva-Ness and Discipline in Electronic Dance Music. Popular Music. 20:349--357.
Lash J.  1944.  Educational Implications of the Negro College Radio Program. The Journal of Negro Education. 13:162--168.
Lee HN.  1931.  Kant's Theory of Aesthetics. The Philosophical Review. 40:537--548.
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