The Next Layer is a collaborative environment combining open source, experimental and artistic research methodologies.

Bruno Latour's greatest hits vol III

maybe it is neighbourly to share the fruits of some of the grunt labour we do as students...the typing up of notes from books .. in the hope that we can weave some of these notes from big brains and minor poets through our own writings ..or use them to generate new trains of thoughts and aesthetic experiments

in that spirit i hereby post the few quotes i got from latour today ..honestly i find his theory hard, but sometimes i think its ok to skate around theory, and interpret it in your own way ... he has a nice turn of phrase anyway...

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My chapter outline (attached)

i have never done a detailed chapter breakdown

so all i have is this big-picture guide (which changes every year or so), and then the detailed chapter contents i do (and keep changing), as write up each chapter

i have posted a page of typical feedback from my principal supervisor -- sometimes he will email me 3 or 4 pages of typed notes ..othertimes ..if i am in sydney (where my uni is) we meet and he gives me hand written notes as marginalia on a print out of my chapter ..these seem legible when we talk thru them..but once i return to adelaide i realise i can't read his handwriting!

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Disorderly Methodologies

Responding to something that Doll wrote

Lindsay I also feel *my* work doesn't make an easy fit into TNL compared to what you and Armin and some others post, because your writings are well-argued and/or intrigueingly speculative whereas a lot of what i am putting up is more rambly and thought processes scrawled as they come to me, as i am afraid that if i dont write everything, and repeat my ideas in different ways within the 1 text a number of times, i will lose what few idea kernels that i have in the thesis fog that surrounds me

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welcoming ms.static to frolic on the uncommons

hello all

we once were 3, and now at armin's good suggestion, we are 4

welcome ms.static, sound artist and artist thinker, whom i first met (i think) in the desert in central australia, at dancer/choreographer Tess de Quincy's magical 2-3 week workshop Triple Alice (a great research model in fact and perhaps something of interest given armin's desire to do moe reseaerchy workshop events)

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"Die Zeit" und die "intellektuelle Finsternis"

Die sogenannte Heidelberger Erklärung und die Kampagne namhafter deutschsprachiger Medien gegen Open Access und Google Books verrät nicht nur ihre Arroganz und Borniertheit gegenüber neuen Formen der Produktion und Dissemination von Kultur und Wissen, sondern offenbart auch anti-liberale, autoritäre Züge - die bürgerlichen Medien haben ihre liberalen Wurzeln wohl vergessen oder verdrängt. Die "intellektuelle Finsternis", die von FAZ und Die Zeit auf Grund der "unheimlichen Kräfte" des Internet befürchtet wird, ist bereits da und von ihnen selbst mitverschuldet. Was jedoch wirklich gebraucht wird, anstatt drakonischer Urteile und Netzsperren, sind neue Wege der Vergütung kultureller Produktion, die an den etablierten, im Niedergang befindlichen Instanzen vorbei gehen.

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A Gathering of Artistic Research: From New Science to Nameless Science

Art and Research
Volume 2. No. 2. Spring 2009

Editorial:

This issue of Art & Research represents a ‘gathering’ of issues and experiences in artistic research as manifest in papers and artworks presented on the ‘occasion’ of significant international conferences and symposia dedicated to artistic research held between May and December 2008:

Copyright vs Zombies' Rights

"But you do understand that the copyright law's intent is to encourage the creation of new works. With life plus 50 years, there are untold numbers of authors dead only 10 or 20 years who might be willing to rise and take a crack at just one more novel."

A recent comment by PPH on slashdot that i liked.
Source: http://news.slashdot.org/comments.pl?sid=1212401&cid=27725525

Copyright vs Zombies' Rights

Disorderly Conduct: some initial reflections on file-sharing

The phenomenon of "peer to peer", or "P2P" file-sharing over the internet is a transglobal expression of techno-social relations. We could say the same about other popular domesticised forms of internet usage, such as email, searches, blogging and photo sharing. However, P2P is different, like the 'special' child who doesn't really fit in with the rest of the family.

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Handshakes amongst strangers: P2P and the production of disorder within informational capitalism

This is an attached slide-show (with notes)* from my presentation at The Second IT & Disorder Workshop held at the University of Technology, Sydney, on 26 March 2009. I need to work this up into a paper for publication in a uni e-journal very very soon! But I seem to be more devoted to d/l'ing endless stuff 'for research' from my favourite sites.... Anyway this presentation went well, and I felt i had redeemed myself after 2 really embarrassing presentations late last year.

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